California-based Asian American writer Joanne Howard discovered her grandfather's journals which he'd written while the family was serving as Baptist missionaries to India in the 1930s. Fascinated by his firsthand accounts of being an American family as India began to push back against being a colony of Great Britain, Howard was inspired to create a story of a family much like his, told from the perspectives of the youngest of four American boys and the family's Indian man-servant. You can find her on Instagram @joannesbooks and visit her webpage (www.joannehowardwrites.com).
Acclaimed Chinese Canadian author and cartoonist Teresa Wong recently published All Our Ordinary Stories: A Multigenerational Family Odyssey, which is her graphic memoir about the legacies of upheaval, a longing for family, and the barriers one daughter faces in trying to connect with her immigrant parents. www.byteresawong.com and @by_teresawong
Acclaimed painter and now-author Hyeseung Song has written a searing coming-of-age memoir for fans of Crying in H Mart, Minor Feelings, and the film Minari. Entitled Docile: Memoirs of a Not-So-Perfect Asian Girl, it follows the daughter of ambitious Asian American immigrant parents and Hyeseung's own search for self-worth.
After Trump was declared the winner over Harris, long-time friends and podcasters Ken Fong and Ken Kemp felt a need to see how the other was doing. If, like them, you're in shock that more than 70 million fellow Americans chose to give Trump another turn as the most powerful person in the free world, you'll probably find a degree of comfort in knowing that you're not alone.
East West Players' venerable producing artistic director emeritus Tim Dang came back for a third appearance here to let us all know what's in store for audience members who come to his updated version of Stephen Sondheim's and John Weidman's Pacific Overtures. Previews start Nov. 7th and the musical will run through Dec. 1st. Go to www.eastwestplayers.org to purchase tickets.
Set in nineteenth-century Japan, it tells the story of the country's westernization starting in 1853, when American ships forcibly opened it to the rest of the world. The story is told from the point of view of the Japanese, and focuses in particular on the lives of two friends who are caught in the change.
Mako, one of EWP's co-founders, starred in the original 1976 Broadway production, and Dang originally directed it in 1998 to celebrate the opening of the new David Henry Hwang Theater in J-Town. Twenty-six years later, Dang has been tasked with directing a slightly refreshed take of this musical. Interestingly, the questions it originally raised about isolationism versus open borders remains quite relevant today.